Fuji x-e2 deals
AWB Colour:. LCD viewfinder:. Dynamic Range:. Product: Fujifilm X-E2 review.
This product is featured in: GFX series gets sixth lens and Fujifilm X series gets first true macro lens and Fuji unveils X-E3: new mirrorless camera in rangefinder style. Fujifilm X-E2 review — Noise, resolution and sensitivity Image: In low-light scenes it is possible to shoot up to ISO without noise becoming a serious issue With the same This camera feels like a brick, and it is a substantial piece of hardware with the kit lens attached.
The X-E2 measures 5.
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The all-black model looks great, but if you need old-school silver-and-black styling, Fujifilm has that too. The Fujifilm X-mount on the front of the textured body is the key feature. The company currently can choose from 11 lenses primes and zooms plus there are other third-party options from Zeiss and Samyang.
- The Fujifilm X-E2;
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There is a slightly raised grip on the right side. The top deck has stereo mics, a hot shoe, and a pop-up flash. It is similar to the setup in the XS.
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The back has an amazing 0. Latest firmware 2. Without a doubt, this EVF is one of the best you will ever come across. A three-inch LCD rated 1,K dots dominates the rear.
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A tilting screen would be much better, and a touchscreen option would also have been a plus. Fortunately, that amazing EVF is at the ready state when the big screen wipes out. An eye sensor switches to the EVF automatically when you bring your eye close to the viewfinder.
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Also on the back are several nicely identified keys and most of them have dual functions. It still utilizes a megapixel APS-C X-Trans image sensor, but adds on-sensor phase detection for quicker autofocus.
The X-E2 delivers excellent image quality, even in dim light, and gives you access to a library of excellent lenses. Fuji sells the camera with chrome or black top and bottom plates, so you have your choice between a two-tone or all-black design.
The body measures 2. The EVF is placed in the rear corner, with the pop-up flash rising out of the top plate. The E-M10 also utilizes that space for an in-body image stabilization system, which the X-E2 lacks. Instead, Fuji cameras rely on in-lens stabilization. We're reviewing the X-E2 as a body only, but it can also be had as a kit with the Fujinon mm F2.
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View All 23 Photos in Gallery. The lone control on the X-E2's face is a toggle switch that adjusts between single, continuous, and manual focus modes. The top direction button is labeled Macro and toggles the focus range of lenses that work at macro distances, and the bottom direction, labeled AF, adjusts the autofocus area.
You'll engage continuous shooting or switch to movie recording via Drive, and adjust the metering pattern via AE; Fn2 is customizable. Like most Fujifilm digital cameras, the X-E2 has emulation modes for some of the company's classic film stocks—including the neutral look of Provia, the oversaturated Velvia, and the muted Astia slide films. There are also a couple of color negative film modes added, mimicking Pro H and Pro S films, which Fuji is billing as good matches for portraits.
There are several in-camera monochrome modes, including a standard black-and-white, and settings that simulate shooting with a yellow, red, or green filter. Sepia is also there if you want to give your photos an old-timey look. There's no mode dial. Instead you can engage shutter priority by setting the shutter speed dial to auto, aperture priority by setting the aperture ring on the attached lens to auto, or program by setting both those controls to auto.
You can choose auto or manual ISO, which makes it possible to set shutter speed and aperture and get a proper exposure within the camera's limits, or exert full manual control over exposures. The rear display is a 3-inch LCD with a 1,k-dot resolution.